Desember 12, 2014

@$$! THE FLASH NEWS : TV Talk: The Flash Gives Arrow a Big Ratings Boost

Outbound for This week in TV news, comic books are everywhere as the Walking Dead spinoff casts a lead, AMC orders a Preacher pilot from Seth Rogen, and Arrow soars in the ratings thanks to The Flash. HBO also makes news with Scorsese's rock and roll series and a slew of WGA nominations.

Scorsese rock 'n' roll pilot ordered to series.


Though Boardwalk Empire is over forever, HBO will continue its relationship with Martin Scorsese and Terence Winter, announcing plans to develop their as-of-yet-unnamed rock and roll pilot into a series. Set in the 1970s, the Scorsese-Winter project will star Bobby Canavale (who won an Emmy as Boardwalk's Gyp Rosetti) as Richie Finestra, a music executive trying to run a rock label during the heyday of disco and punk music in New York City. The project also includes Andrew "Dice" Clay, Ray Romano, Olivia Wilde, and Juno Temple, and will be exec-produced by Scorsese, Winter (who will write the series), and Rolling Stones front man Mick Jagger. His son, James Jagger, will play the lead singer of a punk band named Nasty Bits. This long-gestating project began in 2010. Hopefully, both HBO and Finestra can find their next hit!

Cliff Curtis lands a leading role in Walking Dead spinoff.


According to Entertainment Weekly, Cliff Curtis (Gang Related, Trauma) will have a "male lead role" in AMC's unnamed spinoff of The Walking Dead. Currently at the pilot stage (but a shoo-in to become a series on AMC), the project will take place in the The Walking Dead's zombie outbreak universe, but in a different location (and perhaps in a different time). Curtis joins already-announced cast members Alycia Debnam Carey (Into the Woods) and Frank Dillane (Harry Potter and the Half-Blood Prince). The pilot is being written by Robert Kirkman (The Walking Dead) and Dave Erickson (Sons of Anarchy), and while Fringe's Anna Torv was rumored to be in the running for the female lead role until recently, the part is still up for grabs.

Writers Guild announces TV nominations.


The WGA unveiled its TV nominations Thursday, giving major props to HBO, while overlooking every network series except CBS's The Good Wife. Among the drama nominees were HBO's True Detective and Game of Thrones, while, in the comedy category, Silicon Valley and Veep scored noms. It was good news for Amazon Studios with the recognition of their break-out streaming hit Transparent, which was nominated in the comedy category for the first time, and newcomers The Affair (Showtime) and The Knick (Cinemax) were also recognized in the category for new series. FX's Fargo didn't make the cut in spite of being a critical darling this year. See the full list of WGA 2014 nominees here.

AMC orders Preacher pilot from Seth Rogen.


The controversial comic book Preacher will be adapted into a pilot for AMC by This Is the End writers/directors Seth Rogen and Evan Goldberg. Sam Catlin (Breaking Bad), who wrote the script, will serve as showrunner. In Preacher, a small-town Texan preacher named Jesse Custer morphs with Genesis, a half-angel/half-demon from heaven, giving Custer the power to do pretty much anything. Along with his ex-girlfriend and an Irish vampire, Custer embarks on a journey to find God, who left heaven after the birth of Genesis. "Preacher has been our favorite comic since it first came out," Rogen and Goldberg said in a statement. Based on a 1990s comic book series by Garth Ennis and Steve Dillon, Preacher will shoot in 2015 with the hopes of going to series in 2016.

The Flash gives Arrow's ratings a big boost.


With Wednesday night's conclusion of the Arrow-Flash crossover (which started with Tuesday's episode of The Flash), The CW's Arrow enjoyed record-high ratings. The Dec. 3 episode of Arrow was its highest-rated episode ever in the 18-49 demographic, and had its second most-watched episode ever with 3.86 million viewers -- behind only the Arrow series premiere on Oct. 12, 2012. The crossover also helped The CW to beat out Fox's Hell's Kitchen in the same hour. Perhaps these two should hang out more often.

The Movie : Citizenfour - A New Film Report

There -- in the city of Hong Kong -- he had meetings with several people whom he'd chosen to publicly reveal the documents he had purloined from the secret files of the NSA data ports, which he -- as analyst for Booz Allen Hamilton -- had become privy to.
Snowden was twenty-nine, incredibly adept at perusing the whole scope of secrecy that exists in all the data that is collected every second of every minute of every day of each year. He maintained that The Government has been able -- since The Patriot Act was signed right after 9/11 -- to justify in the name of security the collecting of all data that occurs when you and I use our charge cards, cell phones and meet any other persons wherever cameras happen to be whirring. Apparently there are billions of people who could well be in Government files. Someone right now might be watching you and me as we talk about Citizenfour.
When Ed Snowden decided to go public with all the information he had: in his own words, he wanted to do it in as much of a responsible way as he could. He got in touch with Laura Pointras-a filmmaker who had produced several films already that were concerned with the facts about American involvements that she felt needed truthful revelations. Snowden knew of Laura-he had seen her on a Watch List that was in one of the files that NSA held. He e-mailed her -- using the name Citizenfour. He was able to convince her he was no flake. She, in turn, quite wisely, contacted a well-known well-respected journalist by the name of Glenn Greenwald.
The film opens primarily with the three of them in the hotel room of Ed Snowden-so cramped that Ed is giving them many days of interviews while propped on a pillow or sitting upright in bed. It's probably the first ever interview that was filmed before the world, itself, had yet to hear what the news was. Of course, countless hours were devoted to the interviews, and -- as film viewers -- we witness two of them. But it's an enlightening profile of the mind and heart of a man who'd chosen to be the sacrificial lamb for what he saw as evil.
The film does show other folks-from the President on down-speaking in stern defense or denial of what Snowden is accusing: that the U.S. Government has undertaken massive collections of data without people in the U.S. being forewarned of it... The American folk had understood that these actions of surveillance by the NSA or other agencies were done only in order to keep an eye on terrorist suspects. Surveillance went a lot further -- according to Snowden's interviews with Greenwald.
As film drama, I think the whole thrust of Citizenfour is spellbinding and raw. The chemistry between Greenwald and Snowden works quite well. Glenn's a man of the world-residing in Brazil mostly-speaking Portuguese with an air of fluency-and having a reputation for journalistic depth: he publishes Snowden's release in The Washington Post. A similar report also appeared in The Guardian with English review.
What came of all this has not been reported yet- other than the way the whole world reacted to the news that friendly countries as well as those not so friendly had been subjects of data collection on a plane never before contemplated. All kinds of memos were distributed world-wide.
The film ends with Ed Snowden and his girlfriend standing in their Moscow apartment kitchen cooking stew in a pot. They have been given one full year of asylum in Russia. From there no one knows...
The filming that Laura Poitras executes is first-rate -- although her opening scenes showing encrypted communications back and forth between her and Snowden were hard for me to read- and I think a clearer format could have worked much better. When filmmakers get so used to what they're doing, I think they lose track of the fact that viewers are seeing their work for the first time. But surely one gets her scheme of it all: is to build a circle of suspense in which the three of these principals must secretly devise a way to meet without anybody suspecting it.
... Whether Edward Snowden is hero or villain- whether he is one who deserves praise or imprisonment- is not discussed herein. He has expressed his concern that the American soul should not be besmirched with practices that go contrary to its believing in freedom and privacy. Personally, I am always a bit reluctant to jump on the wagon of a guy who acts unselfishly. It's a noble sounding creed to help inform folks- but often it helps them little and causes others a lot of unblemished harm. Truths get exposed; and then later things somehow revert back to where they were before.
There's a stasis about the world that never lets one man's revelation transform the conduct of others, so that good reigns from there on out. But bless any man whose conscience propels him to speak truth. And the way Ed Snowden tells it, he wants us to know what's going on with data. Perhaps, if you see him and Citizenfour, you'll at least learn what you might not know.
As far as my grade I am torn between seven and eight: call it SEVEN PLUS.
What My Grade Grants:
8.) "About as good as it could get."
7.) "Lacking that bit of excellence."
6.) "Somehow it just didn't work well."
5.) "I have to feel bad about it."
4.) "All that work and nothing to show."

Movie Reviews : Nightcrawler and Interstellar - An Exploration of Darkness

HIgh Quality Image....
From the vast, mysterious dark of outer space in 'Interstellar,' to the night-time Los Angeles gloom of 'Nightcrawler,' cinema-goers are spoilt for choice this fall, that is if they're looking for moments of thrilling disquiet, and the saturnine, gloomy intensity that comes with all-engulfing darkness. 'Interstellar' sees Matthew McConaughey reinforcing his new-found place in serious cinema as Cooper, a former NASA pilot tasked with one last mission; to journey into outer space to find a new home planet for mankind. Christopher Nolan reaffirms himself as king of cerebral, fast-paced science fiction films, taking pages from his own creations (Inception, Dark Knight series) as well as his influences (namely, 2001: A Space Odyssey), creating something entirely refreshing and pioneering in the process. Nightcrawler is Dan Gilroy's directorial début, following Lou Bloom (Jake Gyllenhaal) as he scours the night for crashes and crime scenes, filming them for profit. While less ambitious thematically, it is sleek and efficient, cold and calculated, much like its protagonist, and proves to be both a poignant reflection on our modern taste for dramatic violence, as well as a spine-chilling commentary on how sociopaths such as Lou Bloom thrive in such environments.
At first glance, there is no doubt that Lou belongs to the night. His skin is pale and light-deprived, his mannerisms and interactions with people are eerily eccentric, as one might expect after a considerable period of isolation. His eyes, however, his eyes... they are sunken, enlarged and unblinking; always looking and always searching for the spoils of the night. Shakespeare said that the eyes are "the windows to the soul". This soul is driven by an intensity of appetite that takes precedence above all. Daytime in this film feels odd, as if it somehow doesn't belong in Lou's world. His days show him in isolation, performing banal tasks such as watering his plants or ironing, waiting for the night to fall. As such, L.A. becomes a place of eternal night and uninterrupted violence, a stylistic approach that lends weight to Gilroy's vision.
The character of Lou Bloom could be said to be the archetypal man of capitalism and the American dream. He is enterprising; from the get go, he systematically works his way up from buying a cheap police radio and camcorder to expanding into what appears to be a legitimate video journalism business. He repeats time-worn motifs of 'hard work and initiative,' that ring hollowly, especially considering how he gains all of his success stealing, blackmailing or taking advantage of those around him. In this overt paradox, it is clear that Dan Gilroy poses Nightcrawler as a criticism of the free market and the flawed socio-economic structure that it ingratiates. How can such a system be successful if it not only permits but actively enables sociopathic opportunists such as Lou Bloom?
Stylistically, Nightcrawler follows in the steps of the likes of 'Drive,' moody and intense, fast-paced and hypnotic. The focus of 'the road,' as in Drive, lends a sense of purpose and direction to Lou Bloom that is all but an illusion. He drives the night searching for opportunity, but he remains a mere predatory outsider stuck in a rotten, filthy city. Above all, Nightcrawler is an enthralling character study of a sociopath and his remorselessness in taking advantage of the ill fates of strangers, as well as those directly around him. Like Taxi Driver's Travis Bickle, he isn't a hero, yet is praised and rewarded as one, and escapes the legal or moral punishment one might expect to be exacted on a villain.
Interstellar is much more ambitious in its narrative scope. It rises beyond the filth of the streets, following McConaughey as he and a small crew of astronauts travel across space to find a new inhabitable planet for humankind. It is the 2050s (or thereabouts), and earth is experiencing some sort of global crop blight. McConaughey's character proclaims that he was 'born for this.' As Gyllenhaal's cold, merciless character in Nightcrawler is suited to his new-found occupation, so is McConaughey's Cooper. That is where the similarities end, however. Cooper is very human in the sense that his motivations are mixed where Lou Bloom's are singularly self-focused. In his mission, he is part fuelled by the love of his family, partly by an altruistic desire to help his species, and part glory and self-fulfilment. Strangely, for a dystopian film, Nolan's approach is much more sympathetic in comparison to Nightcrawlers cynical, resigned tone.
The film is, on face value, a blockbuster epic about the survival of mankind, and space travel (in case you missed that). Unusually, Nolan puts these themes second to love. As Anne Hathaway's character Brand says, "love is the only thing that transcends time and space". Interstellar is - compared to the likes of Inception and the Dark Knight trilogy - very sentimental, almost soppy. Where Nightcrawler is cold and precise in its aims and vision, Interstellar is all encompassing, and flails a little because of this. The sentimentality - between Cooper and his children, as well as Anne Hathaway's character, can be clichéd at times. There are also various unanswered questions and plot holes.
However, with a film that tackles themes of space/time travel, human extinction, love and self-sacrifice, it is my opinion that Nolan deserves some slack. Like the best of us, the film is ambitious and loveable, and that is what makes it utterly human. While Nightcrawler will leave you feeling dirty and cynical and Interstellar inspired and uplifted, both films are not only exhilarating for their entirety, they also make you think. Both veterans such as Nolan and newcomers like Gilroy are vital to intelligent cinema and the ability to entertain and inspire, inform and provoke, and it is my hope that both directors keep producing such quality work in the future.

Desember 11, 2014

Novel Review #1 : Gray Mountain: A Novel Hardcover – October 21, 2014





John Grisham has a new hero . . . and she’s full of surprises
The year is 2008 and Samantha Kofer’s career at a huge Wall Street law firm is on the fast track—until the recession hits and she gets downsized, furloughed, escorted out of the building. Samantha, though, is one of the “lucky” associates. She’s offered an opportunity to work at a legal aid clinic for one year without pay, after which there would be a slim chance that she’d get her old job back.

In a matter of days Samantha moves from Manhattan to Brady, Virginia, population 2,200, in the heart of Appalachia, a part of the world she has only read about. Mattie Wyatt, lifelong Brady resident and head of the town’s legal aid clinic, is there to teach her how to “help real people with real problems.” For the first time in her career, Samantha prepares a lawsuit, sees the inside of an actual courtroom, gets scolded by a judge, and receives threats from locals who aren’t so thrilled to have a big-city lawyer in town. And she learns that Brady, like most small towns, harbors some big secrets.

Her new job takes Samantha into the murky and dangerous world of coal mining, where laws are often broken, rules are ignored, regulations are flouted, communities are divided, and the land itself is under attack from Big Coal. Violence is always just around the corner, and within weeks Samantha finds herself engulfed in litigation that turns deadly.


Product Details




Editorial Reviews

Review

An important new novel . . . Grisham’s work—always superior entertainment—is evolving into something more serious, more powerful, more worthy of his exceptional talent. —Patrick Anderson, The Washington Post

“John Grisham makes a powerful closing argument against Big Coal, but the message never obscures a satisfying, old fashioned, good guy-bad guy legal thriller.” —Christian Science Monitor

Grisham has written one of his best legal dramas in quite some time with this dive into small-town politics. There's a mystery, but that's a minor portion of the story. The main thrust that will engage readers is Samantha Kofer and the cast of characters that help her discover her passion.” —Associated Press

About the Author

JOHN GRISHAM is the author of twenty-seven novels, one work of nonfiction, a collection of stories, and four novels for young readers.

www.doubleday.com

www.jgrisham.com

www.facebook.com/JohnGrisham

Excerpt. © Reprinted by permission. All rights reserved.

1

The horror was in the waiting--the unknown, the insomnia, the ulcers. Co-workers ignored each other and hid behind locked doors. Secretaries and paralegals passed along the rumors and refused eye contact. Everyone was on edge, wondering, "Who might be next?" The partners, the big boys, appeared shell-shocked and wanted no contact with their underlings. They might soon be ordered to slaughter them.

The gossip was brutal. Ten associates in Litigation terminated; partially true--only seven. The entire Estate division closed, partners and all; true. Eight partners in Antitrust jumping to another firm; false, for now.

The atmosphere was so toxic that Samantha left the building whenever possible and worked with her laptop in coffee shops around lower Manhattan. She sat on a park bench one pleasant day--day ten after the fall of Lehman Brothers--and gazed at the tall building down the street. It was called 110 Broad, and the top half was leased by Scully & Pershing, the biggest law firm the world had ever seen. Her firm, for now, though the future was anything but certain. Two thousand lawyers in twenty countries, half of them in New York City alone, a thousand right up there packed together on floors 30 through 65. How many wanted to jump? She couldn't guess, but she wasn't the only one. The world's largest firm was shrinking in chaos, as were its competitors. Big Law, as it was known, was just as panicked as the hedge funds, investment banks, real banks, insurance conglomerates, Washington, and on down the food chain to the merchants on Main Street.

Day ten passed without bloodshed, as did the next. On day twelve there was a flash of optimism as Ben, one of Samantha's colleagues, shared a rumor that credit markets in London were loosening a bit. Borrowers might find some cash after all. But late that afternoon the rumor had run out of gas; nothing to it. And so they waited.

Two partners ran Commercial Real Estate at Scully & Pershing. One was nearing retirement age and had already been shoved out. The other was Andy Grubman, a forty-year-old pencil pusher who'd never seen a courtroom. As a partner, he had a nice office with a distant view of the Hudson, water he hadn't noticed in years. On a shelf behind his desk, and squarely in the center of his Ego Wall, there was a collection of miniature skyscrapers. "My buildings" he liked to call them. Upon completion of one of his buildings, he commissioned a sculptor to replicate it on a smaller scale, and he generously gave an even smaller trophy to each member of "my team." In her three years at S&P, Samantha's collection had six buildings, and that was as large as it would get.

"Have a seat," he ordered as he closed the door. Samantha sat in a chair next to Ben, who was next to Izabelle. The three associates studied their feet, waiting. Samantha felt the urge to grab Ben's hand, like a terrified prisoner facing a firing squad. Andy fell into his chair, and, avoiding eye contact but desperate to get things over with, he recapped the mess they were in.

"As you know, Lehman Brothers folded fourteen days ago."

No kidding, Andy! The financial crisis and credit meltdown had the world on the brink of a catastrophe and everyone knew it. But then, Andy rarely had an original thought.

"We have five projects in the works, all funded by Lehman. I've talked at length with the owners, and all five are pulling the plug. We had three more in the distance, two with Lehman, one with Lloyd's, and, well, all credit is frozen. The bankers are in their bunkers, afraid to loan a dime."

Yes, Andy, we know this too. It's front-page. Just get it over with before we jump.

"The exec committee met yesterday and made some cuts. Thirty first-year associates are being let go; some terminated outright, others laid off. All new hires are deferred indefinitely. Probate is gone. And, well, there is no easy way to say this, but our entire division is on the block. Cut. Eliminated. Who knows when owners will start building again, if ever. The firm is unwilling to keep you on the payroll while the world waits for loose credit. Hell, we could be headed for a major depression. This is probably just the first round of cuts. Sorry, guys. I'm really sorry."

Ben spoke first. "So we're being terminated outright?"

"No. I fought for you guys, okay? At first they planned to do the pink slip thing. I don't have to remind you that CRE is the smallest division in the firm and probably the hardest hit right now. I talked them into something we're calling a furlough. You'll leave now, come back later, maybe."

"Maybe?" Samantha asked. Izabelle wiped a tear but kept her composure.

"Yes, a big fat maybe. Nothing is definite right now, Samantha, okay? We're all chasing our tails. In six months we could all be at the soup kitchen. You've seen the old photos from 1929."

Come on, Andy, a soup kitchen? As a partner, your take-home last year was $2.8 million, average at S&P, which, by the way, came in fourth in net-per-partner. And fourth was not good enough, at least it wasn't until Lehman croaked and Bear Stearns imploded and the sub-prime mortgage bubble burst. Suddenly, fourth place was looking pretty good, for some anyway.

"What's a furlough?" Ben asked.

"Here's the deal. The firm keeps you under contract for the next twelve months, but you don't get a paycheck."

"Sweet," Izabelle mumbled.

Ignoring her, Andy plowed ahead: "You keep your health benefits, but only if you intern with a qualified nonprofit. HR is putting together a list of suitable outfits. You go away, do your little do-gooder bit, save the world, hope like hell the economy bounces back, then in a year or so you're back with the firm and you don't lose any seniority. You won't be in CRE but the firm will find a place for you."

"Are our jobs guaranteed when the furlough is over?" Samantha asked.

"No, nothing is guaranteed. Frankly, no one is smart enough to predict where we'll be next year. We're in the middle of an election, Europe is going to hell, the Chinese are freaking out, banks are folding, markets are crashing, nobody's building or buying. The world's coming to an end."

They sat for a moment in the gloomy silence of Andy's office, all four crushed with the reality of the end of the world. Finally, Ben asked, "You, too, Andy?"

"No, they're transferring me to Tax. Can you believe it? I hate Tax, but it was either Tax or driving a cab. I got a master's in taxation, though, so they figured they could spare me."

"Congratulations," Ben said.

"I'm sorry, guys."

"No, I mean it. I'm happy for you."

"I could be gone in a month. Who knows?"

"When do we leave?" Izabelle asked.

"Right now. The procedure is to sign a furlough agreement, pack up your stuff, clean off your desk, and hit the street. HR will e-mail you a list of nonprofits and all the paperwork. Sorry, guys."

"Please stop saying that," Samantha said. "There's nothing you can say that helps matters here."

"True, but it could be worse. The majority of those in your boat are not being offered a furlough. They're being fired on the spot."

"I'm sorry, Andy," Samantha said. "There are a lot of emotions right now."

"It's okay. I understand. You have the right to be angry and upset. Look at you--all three have Ivy League law degrees and you're being escorted out of the building like thieves. Laid off like factory workers. It's awful, just awful. Some of the partners offered to cut their salaries in half to prevent this."

"I'll bet that was a small group," Ben said.

"It was, yes. Very small, I'm afraid. But the decision has been made."



A woman in a black suit and a black necktie stood at the quad where Samantha shared a "space" with three others, including Izabelle. Ben was just down the hall. The woman tried to smile as she said, "I'm Carmen. Can I help you?" She was holding an empty cardboard box, blank on all sides so no one would know it was the official Scully & Pershing repository for the office junk of those furloughed or fired or whatever.

"No, thanks," Samantha said, and she managed to do so politely. She could have snapped and been rude, but Carmen was only doing her job. Samantha began opening drawers and removing all things personal. In one drawer she had some S&P files and asked, "What about these?"

"They stay here," Carmen said, watching every move, as if Samantha might attempt to pilfer some valuable asset. The truth was that everything of value was stored in the computers--a desktop she used in her space and a laptop she took almost everywhere. A Scully & Pershing laptop. It, too, would remain behind. She could access everything from her personal laptop, but she knew the codes had already been changed.

As if sleepwalking, she cleaned out the drawers and gently tucked away the six miniature skyscrapers from her collection, though she thought about tossing them into the trash can. Izabelle arrived and was given her own personal cardboard box. All others--associates, secretaries, paralegals--had suddenly found business elsewhere. Protocol had been quickly adopted--when someone cleans out a desk, let them do it in peace. No witnesses, no gawking, no hollow farewells.

Izabelle's eyes were puffy and red; she had obviously been in the restroom crying. She whispered, "Call me. Let's have a drink tonight."

"Sure," Samantha said. She finished stuffing it all into the box, her briefcase, and her bulky designer bag, and without looking over her shoulder she marched behind Carmen down the hallway and to the elevators on the forty-eighth floor. As they waited, she refused to look around and absorb it one last time. The door opened and thankfully the elevator was empty. "I'll carry that," Carmen said, pointing to the box, which was already increasing in bulk and weight. "No," Samantha said as she stepped inside. Carmen pushed the button for the lobby. Why, exactly, was she being escorted out of the building? The longer she pondered the question the angrier she became. She wanted to cry and she wanted to lash out, but what she really wanted was to call her mother. The elevator stopped on the forty-third floor and a well-dressed young man stepped in. He was holding an identical cardboard box, with a large bag strapped over his shoulder and a leather briefcase under an arm. He had the same stunned look of fear and confusion. Samantha had seen him in the elevator but never met him. What a firm. So mammoth the associates wore name badges at the dreadful Christmas party. Another security guard in a black suit stepped in behind him, and when everyone was in place Carmen again pressed the button for the lobby. Samantha studied the floor, determined not to speak even if spoken to. On the thirty-ninth floor, the elevator stopped again, and Mr. Kirk Knight got on board while studying his cell phone. Once the door closed, he glanced around, saw the two cardboard boxes, and seemed to gasp as his spine stiffened. Knight was senior partner in Mergers & Acquisitions and a member of the executive committee. Suddenly face-to-face with two of his victims, he swallowed hard and stared at the door. Then he suddenly punched the button for floor number 28.

Samantha was too numb to insult him. The other associate had his eyes closed. When the elevator stopped, Knight hustled off. After the door closed, Samantha remembered the firm leased floors 30 through 65. Why would Knight make a sudden exit onto 28? Who cared?

Carmen walked her through the lobby and out the door onto Broad Street. She offered a meek "I'm sorry," but Samantha did not respond. Laden like a pack mule, she drifted with the foot traffic, going nowhere in particular. Then she remembered the newspaper photos of the Lehman and Bear Stearns employees leaving their office buildings with boxes filled with their stuff, as if the buildings were on fire and they were fleeing for their lives. In one photo, a large color one on the front of the Times's section B, a Lehman trader was caught with tears on her cheeks as she stood helplessly on the sidewalk.

But those photos were old news now and Samantha did not see any cameras. She set the box down at the corner of Broad and Wall and waited for a cab.



2

In a chic SoHo loft that cost her $2,000 a month, Samantha flung her office crap at the floor and fell onto the sofa. She clutched her cell phone, but waited. She breathed deeply, eyes closed, emotions somewhat in check. She needed her mother's voice and reassurance, but she did not want to sound weak, wounded, and vulnerable.

The relief came from the sudden realization that she had just been freed from a job she despised. Tonight at seven she might be watching a movie or having dinner with friends, not slaving away at the office with the meter running. This Sunday she could leave the city with no thoughts whatsoever about Andy Grubman and the pile of paperwork for his next crucial deal. The FirmFone, a monstrous little gadget that had been glued to her body for three years now, had been surrendered. She felt liberated and wonderfully unburdened.

The fear came from the loss of income and the sudden detour in her career. As a third-year associate, she was earning $180,000 a year in base salary, plus a nice bonus. A lot of money, but life in the city had a way of devouring it. Half evaporated in taxes. She had a savings account, one she halfheartedly acknowledged. When you're twenty-nine, single, and free in the city, in a profession where next year's package will exceed this year's salary plus bonus, why worry too much about saving money? She had a friend from Columbia Law who'd been at S&P for five years, had just made junior partner, and would earn about half a million this year. Samantha had been on that track.

She also had friends who jumped off the treadmill after twelve months and happily fled the awful world of Big Law. One was now a ski instructor in Vermont, a former editor of the Columbia Law Review, a refugee from the bowels of S&P who lived in a cabin by a stream and rarely answered his cell. In just thirteen months he had gone from an ambitious young associate to a mildly deranged idiot who slept at his desk. Just before HR intervened, he cracked up and left the city. Samantha thought of him often, usually with a twinge of jealousy.

http://internewsinfoupdate.blogspot.com/2014/12/why-you-should-understanding-cost-of.html

Why you should Understanding The Cost of Doing Business

In order to run an efficient business you first need to understand all the costs involved in keeping the doors open. Start by figuring out the total cost associated with your business on a monthly basis. Then break out the cost between what can be considered direct costs, and what can be considered administrative costs. Direct costs are related to the line employees servicing the customer, while the administrative costs are related to the business support team that provide Accounting, Payroll, Human Resources, Sales, Marketing, etc.
Once you have broken down the direct cost, the next step is to categorize the cost between variable and fixed cost. Variable cost fluctuates with business activity, the higher the sales, the higher your labor cost, or material cost in the case of manufacturing. Fixed costs on the other had are not necessarily impacted by the fluctuation in revenue that the business generates. Examples of fixed costs are monthly rent, administrative staff, telephone, utilities, etc. A business will have these fixed costs regardless of what happens at the revenue level, if you experience revenue decline you may be able to move into smaller sized real estate, but again you can only change your venue so many times before it becomes more of disturbance.
Industry, or economic changes can impact your business severely, keeping your cost more on the variable side will ensure that your business is flexible and nimble enough to change and cut back in order to preserve cash. By knowing your variable cost you will be able to calculate your break-even point, which is the amount of services, or products you need to sell in order to cover all of your fixed costs. Knowing these figures will also help you determine if you are running your business efficiently by comparing it to industry standard. In addition, it will also help you determine your profitability per unit sold.

http://internewsinfoupdate.blogspot.com/2014/12/novel-review-1-gray-mountain-novel.html

http://internewsinfoupdate.blogspot.com/2014/12/the-movie-citizenfour-new-film-report.html 

BEst Choice#1 : Cards Against Humanity

Product Description

Cards Against Humanity is a party game for horrible people. Unlike most of the party games you've played before, Cards Against Humanity is as despicable and awkward as you and your friends.

The game is simple. Each round, one player asks a question from a Black Card, and everyone else answers with their funniest White Card.

Reviews of Cards Against Humanity:

"Pretty amazing." - The Onion AV Club
"An incredible game." - Mike "Gabe" Krahulik, Penny Arcade
"Uncontrollable laughter." - Kill Screen Magazine
"The game your party deserves." - Thrillist
"A game." - The Daily Beast




Most Helpful Customer Reviews

4,844 of 5,086 people found the following review helpful
By mykie G on January 31, 2012
Verified Purchase
This is not a review about playing Cards Against Humanity, it's a review of the fallout endured from playing Cards Against Humanity. Take it as a warning, if you will.

If you aren't a horrible person already, you will soon be. You will play Cards Against Humanity, and as others have said, you will be shocked, appalled, and worst of all, you will learn and adapt. You'll reach for your smartphone and search for terms you've drawn such as "The Übermensch", "Heteronormativity", and "The Three-Fifths Compromise". You will commit these and many other newly-learned words to memory.

And that's where it all comes crashing down.

At first, you might allow "front butt" to casually wander its way into a conversation here and there. As more of your subconscious fights to unleash the trauma, you'll find yourself uttering "nipple blades" and "mouth herpes" in the most unacceptable of times. You'll visit the Cards Against Humanity website and bomb them with suggestions for new cards like "Cutting the cheese at a funeral" and "Scissoring".

Soon, you will meet up with new people to inflict Cards Against Humanity upon them and they'll be hooked. You will receive random voicemails and texts, asking for another hit of that "8 oz. of sweet, Mexican black tar heroin", and you will comply, because you're just as hooked as they are. They'll bring new friends in to freshen up the game...you will feel a rush as the look of shame crosses their innocent eyes as they win a round by playing "Amputees" against your "White People Like _____".

"I was just throwing that card away!" they'll proclaim, but you know the sad truth.

You will buy the expansion pack. You will host parties where you play through every card in both boxes.
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291 of 317 people found the following review helpful
By A. Hargrave on April 19, 2013
Verified Purchase
So much fun, this game works so well with the type of humor my social circle enjoys. Also, we are probably going to hell.
2 Comments Was this review helpful to you? Yes No
727 of 845 people found the following review helpful
By Shads on April 16, 2012
I'm pretty sure that owning this game is the only reason I get invited to parties these days. Worth it.
4 Comments Was this review helpful to you? Yes No
1,999 of 2,345 people found the following review helpful
By Jill on December 3, 2011
I wanted this game, but it was sold out and 3rd party sellers were charging $70-$100 for what is usually a $25 dollar game. DON"T DO IT. You don't have to go without! Go to the manufacturers website. There is a version on PDF you can print at home or take to a printer and have your own temporary or trial version for $10. I did this yesterday, and my friends and I played last night. It was great fun! I still plan to buy a full version when they are available again at normal pricing, but I couldn't wait to try it out. You can also print a copy and give it as a gift with a little note saying the full version is coming. STILL it'll cost you less than folding and buying from a reseller. This is a Creative Commons game, and IMHO ripping people off is against the whole idea of Creative Commons.
30 Comments Was this review helpful to you? Yes No
136 of 157 people found the following review helpful
By Danette on December 8, 2013
Verified Purchase
So much fun, but don't play this with your parents, children or new people..they might get the wrong impression of you...
3 Comments Was this review helpful to you? Yes No
110 of 129 people found the following review helpful
By T.A. Fletcher on October 11, 2014
Verified Purchase
Holy wow. My sister bought this game long, long ago (realistically, maybe two or three years; I honestly have no clue when she did) and by product of association and proximity, I ended up playing it with her and some other family (thankfully, siblings only). It was awesome.

Fast forward a few years.

Enter: college life.

Enter: extra spending money.

Enter: "Hey guys, have you ever heard of Cards Against Humanity? No? Well, have I got something to tell you about!"

Enter: I bought the game.

Eventually I got a group of friends (five of us in total) to sit down and play a round. We went to fifteen black cards to win (I won because I'm hilarious or evil or something. I'm still not sure, really), and everyone had a great time. The format is similar to Apples to Apples, but the different playing styles (the basic style is still my favorite) keep the game interesting and unique. Even the issue of constantly running over the same cards is addressed by the company releasing multiple expansion packs.

As great, wonderful, and life changing as the game is, I do have a few caveats for those interested.

First, is that this game is absolutely, horribly, disgustingly, beautifully, brilliantly, gloriously filthy. Seriously. I'm warning you here and now that this game is ridiculously warped. Are there worse things you could do than play this game? Probably not.

Second, as a result of the glorious filth that is CAH, playing this game, especially for extended periods of time, will probably cause you to adapt to its filthiness and make you think of the phrases on the cards, and possibly use those phrases in real life.
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130 of 156 people found the following review helpful
By A. Wasser on February 11, 2013
Verified Purchase
The game was restocked just in time for the "Blizzard of 2013" and we played for about six hours while periodically taking breaks to go outside and check on the snowstorm's progress. The game is clever and insanely funny. I'm sure we'll be buying the expansion packs and I can't wait to play it with other friends!
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661 of 894 people found the following review helpful
By Gregory M Blackford on July 9, 2013
Verified Purchase Love this game. Seriously. Love it. I played the original with some friends and family and was in TEARS half the time because the combinations were just so hilarious/politically incorrect/awful. Many people were rolling and/or crying with every single round.

But there is where the high octane hilarity ended.

Don't get me wrong, I still enjoy the game but after the shock value has worn off it just becomes an adult Apples to Apples.

Other things I've noticed:
The game doesn't have the desired effect with high brow sense of humor people. It seems like half of the cards are poop/sexual in nature which is fine but could cause quick burnout with your play group depending on their humor. What ends up happening (in my experience) is that people who have played the game more than once start to go for the deeper more obscure combinations that are funny to most but never win against the brute force of cards such as "pooping back and forth. forever."

I've come across another group who, unfortunately, went with the most shocking or dirty card to them even if it didn't make sense in the context of the black card played. This could be an undesired consequence of a few experienced people playing with completely new people. Just laying it out there so you wont be surprised when it happens to you.

Quality of the cards are pretty good but I've noticed several where it seems like the black ink on the back of the card is just too visible from the other side. It hasn't bled through, but the coloring on the mostly white cards just doesn't seem quite right.



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CHOICE : All the Light We Cannot See: A Novel Hardcover – May 6, 2014

NATIONAL BOOK AWARD FINALIST



From the highly acclaimed, multiple award-winning Anthony Doerr, the beautiful, stunningly ambitious instant New York Times bestseller about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II.

Marie-Laure lives with her father in Paris near the Museum of Natural History, where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great-uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel.

In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge.

Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).


Pper : Unbroken: A World War II Story of Survival, Resilience, and Redemption Paperback – July 29, 2014

#1 NEW YORK TIMES BESTSELLER • SOON TO BE A MAJOR MOTION PICTURE • Look for special features inside. Join the Random House Reader’s Circle for author chats and more.
In boyhood, Louis Zamperini was an incorrigible delinquent. As a teenager, he channeled his defiance into running, discovering a prodigious talent that had carried him to the Berlin Olympics. But when World War II began, the athlete became an airman, embarking on a journey that led to a doomed flight on a May afternoon in 1943. When his Army Air Forces bomber crashed into the Pacific Ocean, against all odds, Zamperini survived, adrift on a foundering life raft. Ahead of Zamperini lay thousands of miles of open ocean, leaping sharks, thirst and starvation, enemy aircraft, and, beyond, a trial even greater. Driven to the limits of endurance, Zamperini would answer desperation with ingenuity; suffering with hope, resolve, and humor; brutality with rebellion. His fate, whether triumph or tragedy, would be suspended on the fraying wire of his will.

Appearing in paperback for the first time—with twenty arresting new photos and an extensive Q&A with the author—Unbroken is an unforgettable testament to the resilience of the human mind, body, and spirit, brought vividly to life by Seabiscuit author Laura Hillenbrand.

Hailed as the top nonfiction book of the year by Time magazine • Winner of the Los Angeles Times Book Prize for biography and the Indies Choice Adult Nonfiction Book of the Year award
“Extraordinarily moving . . . a powerfully drawn survival epic.”The Wall Street Journal

“[A] one-in-a-billion story . . . designed to wrench from self-respecting critics all the blurby adjectives we normally try to avoid: It is amazing, unforgettable, gripping, harrowing, chilling, and inspiring.”—New York

“Staggering . . . mesmerizing . . . Hillenbrand’s writing is so ferociously cinematic, the events she describes so incredible, you don’t dare take your eyes off the page.”People

“A meticulous, soaring and beautifully written account of an extraordinary life.”—The Washington Post

“Ambitious and powerful . . . a startling narrative and an inspirational book.”—The New York Times Book Review

“Magnificent . . . incredible . . . [Hillenbrand] has crafted another masterful blend of sports, history and overcoming terrific odds; this is biography taken to the nth degree, a chronicle of a remarkable life lived through extraordinary times.”—The Dallas Morning News

“An astonishing testament to the superhuman power of tenacity.”Entertainment Weekly

“A tale of triumph and redemption . . . astonishingly detailed.”O: The Oprah Magazine

“[A] masterfully told true story . . . nothing less than a marvel.”Washingtonian

“[Hillenbrand tells this] story with cool elegance but at a thrilling sprinter’s pace.”—Time

“Hillenbrand [is] one of our best writers of narrative history. You don’t have to be a sports fan or a war-history buff to devour this book—you just have to love great storytelling.”—Rebecca Skloot, author of The Immortal Life of Henrietta Lacks...
The Story of Unbroken by Laura Hillenbrand
Eight years ago, an old man told me a story that took my breath away. His name was Louie Zamperini, and from the day I first spoke to him, his almost incomprehensibly dramatic life was my obsession.
It was a horse--the subject of my first book,--who led me to Louie. As I researched the Depression-era racehorse, I kept coming across stories about Louie, a 1930s track star who endured an amazing odyssey in World War II. I knew only a little about him then, but I couldn’t shake him from my mind. After I finished Seabiscuit, I tracked Louie down, called him and asked about his life. For the next hour, he had me transfixed.
Growing up in California in the 1920s, Louie was a hellraiser, stealing everything edible that he could carry, staging elaborate pranks, getting in fistfights, and bedeviling the local police. But as a teenager, he emerged as one of the greatest runners America had ever seen, competing at the 1936 Berlin Olympics, where he put on a sensational performance, crossed paths with Hitler, and stole a German flag right off the Reich Chancellery. He was preparing for the 1940 Olympics, and closing in on the fabled four-minute mile, when World War II began. Louie joined the Army Air Corps, becoming a bombardier. Stationed on Oahu, he survived harrowing combat, including an epic air battle that ended when his plane crash-landed, some six hundred holes in its fuselage and half the crew seriously wounded.
On a May afternoon in 1943, Louie took off on a search mission for a lost plane. Somewhere over the Pacific, the engines on his bomber failed. The plane plummeted into the sea, leaving Louie and two other men stranded on a tiny raft. Drifting for weeks and thousands of miles, they endured starvation and desperate thirst, sharks that leapt aboard the raft, trying to drag them off, a machine-gun attack from a Japanese bomber, and a typhoon with waves some forty feet high. At last, they spotted an island. As they rowed toward it, unbeknownst to them, a Japanese military boat was lurking nearby. Louie’s journey had only just begun.
That first conversation with Louie was a pivot point in my life. Fascinated by his experiences, and the mystery of how a man could overcome so much, I began a seven-year journey through his story. I found it in diaries, letters and unpublished memoirs; in the memories of his family and friends, fellow Olympians, former American airmen and Japanese veterans; in forgotten papers in archives as far-flung as Oslo and Canberra. Along the way, there were staggering surprises, and Louie’s unlikely, inspiring story came alive for me. It is a tale of daring, defiance, persistence, ingenuity, and the ferocious will of a man who refused to be broken.
The culmination of my journey is my new book, Unbroken: A World War II Story of Survival, Resilience, and Redemption. I hope you are as spellbound by Louie’s life as I am.


From Publishers Weekly

Starred Review. From the 1936 Olympics to WWII Japan's most brutal POW camps, Hillenbrand's heart-wrenching new book is thousands of miles and a world away from the racing circuit of her bestselling Seabiscuit. But it's just as much a page-turner, and its hero, Louie Zamperini, is just as loveable: a disciplined champion racer who ran in the Berlin Olympics, he's a wit, a prankster, and a reformed juvenile delinquent who put his thieving skills to good use in the POW camps, In other words, Louie is a total charmer, a lover of life--whose will to live is cruelly tested when he becomes an Army Air Corps bombardier in 1941. The young Italian-American from Torrance, Calif., was expected to be the first to run a four-minute mile. After an astonishing but losing race at the 1936 Olympics, Louie was hoping for gold in the 1940 games. But war ended those dreams forever. In May 1943 his B-24 crashed into the Pacific. After a record-breaking 47 days adrift on a shark-encircled life raft with his pal and pilot, Russell Allen "Phil" Phillips, they were captured by the Japanese. In the "theater of cruelty" that was the Japanese POW camp network, Louie landed in the cruelest theaters of all: Omori and Naoetsu, under the control of Corp. Mutsuhiro Watanabe, a pathologically brutal sadist (called the Bird by camp inmates) who never killed his victims outright--his pleasure came from their slow, unending torment. After one beating, as Watanabe left Louie's cell, Louie saw on his face a "soft languor.... It was an expression of sexual rapture." And Louie, with his defiant and unbreakable spirit, was Watanabe's victim of choice. By war's end, Louie was near death. When Naoetsu was liberated in mid-August 1945, a depleted Louie's only thought was "I'm free! I'm free! I'm free!" But as Hillenbrand shows, Louie was not yet free. Even as, returning stateside, he impulsively married the beautiful Cynthia Applewhite and tried to build a life, Louie remained in the Bird's clutches, haunted in his dreams, drinking to forget, and obsessed with vengeance. In one of several sections where Hillenbrand steps back for a larger view, she writes movingly of the thousands of postwar Pacific PTSD sufferers. With no help for their as yet unrecognized illness, Hillenbrand says, "there was no one right way to peace; each man had to find his own path...." The book's final section is the story of how, with Cynthia's help, Louie found his path. It is impossible to condense the rich, granular detail of Hillenbrand's narrative of the atrocities committed (one man was exhibited naked in a Tokyo zoo for the Japanese to "gawk at his filthy, sore-encrusted body") against American POWs in Japan, and the courage of Louie and his fellow POWs, who made attempts on Watanabe's life, committed sabotage, and risked their own lives to save others. Hillenbrand's triumph is that in telling Louie's story (he's now in his 90s), she tells the stories of thousands whose suffering has been mostly forgotten. She restores to our collective memory this tale of heroism, cruelty, life, death, joy, suffering, remorselessness, and redemption. (Nov.) -Reviewed by Sarah F. Gold 

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